Showing posts with label Moving Image. Show all posts
Showing posts with label Moving Image. Show all posts

Sunday, 27 January 2013

Mock Re-Written

Coming down the mountain- Ability and Disability
This clip focusses mainly upon the ability of David’s brother Ben who suffers from down syndrome. The audience see the idea of a ‘normal family’ that is broken through Ben’s disability. The initial establishing shot and setting of the kitchen supports this.
The very first shot the audience sees is a bird’s eye view shot of Ben and David’s room- instantly this looks abnormal because of their age and it is not expected for older teenagers to share a room. David’s side of the room was very tidy and everything had a place where as Ben’s was the complete opposite and very messy. The divide between the beds not only shows the split bedroom but also the split in personalities and differences between the two brothers. The camera then cuts and pans from a side angle to a front angle of David starting heavily at Ben: his facial expressions suggest an irritation or anger towards him.
Multiple CU shots of all characters in the family have been used to clearly portray their feelings directly to the audience- mainly being irritation/stress. Ben appears to be treated extremely differently to Ben because of his disability, for example, when their mother leaves for work, Ben got a kiss goodbye but David did not. Similarly, if David treated Ben disrespectfully, he would get told off.
Although the dialogue and acting suggest Ben is superior, the camera angles suggest otherwise as the majority of shots of Ben are low angle and David are high angle. This tells the audience that the programme is from David’s perspective which allows the audience to sympathise for Ben. One shot consist of David climbing a tree to get Ben’s kite: this suggest that he is incapable of doing things for himself and always needs a helper. This high angle shot from Ben’s point of view gives the impression that he idolises David and always looks up to him.
Whilst in class, the audience see an over the shoulder low angle shot of David drawing a horse; this informs the audience that he cannot focus in lessons and suggests his mind is elsewhere due to the pressure of looking after Ben which then flips the sympathy onto David.
The editing within the clip consists of mainly short, sharp cuts constantly changing the character the audience is able to see. Whilst at the bus stop, there are frequent changes in shot and angle making it appear quite distorted. This could represent Ben’s mind as being distorted and distanced and how he cannot focus on one thing for a long length of time; at this moment, the audience sees the action from Ben’s point of view.
At the beginning of the clip, there is a small montage of abnormal clips such as odd looking fish, cave men and toy dinosaurs all in black and white in the style of an old film. Again, this emphasises the idea of distortion and abnormality linking to the idea of disability.
Sound within the clip is extremely important and the majority of the way through there is non-diegetic music played. The beginning music doesn’t have a constant beat or rhythm and has a heavy ticking sound. This links in to the well-known idiom ‘mind is ticking overtime’ suggesting David is very stressed and constantly has pressure upon him. The sound and moving image of the explosion which then follows supports this idea of it all being too much for him.
The music which starts non-diegetic but then switches so it seems like its being played in the family kitchen has the lyrics ‘wouldn’t it be nice if we were older’. This is most probably how David is feeling meaning that he would not have to look after Ben.
The dialogue David uses ‘Big potatoes with eye tentacles’ is almost a euphemism of someone with a disability in his eyes so it doesn’t sound as bad even though he is insulting his brother because of his disability.
The voice over of David instantly tells the audience that it is from his point of view and engages them; at times it seems like a moving image version of David’s diary as he tells his thoughts and feelings giving the audience a greater understanding of his character’s and life living with a disabled brother.
At the end of the clip, sad non-diegetic piano music plays that is extremely slow. We see Ben on his own on the bus looking quite scared; his hands are almost gripping onto the bar for dear life giving the impression that as he has been looked after all his life, he is now lost when he’s alone. The echo-y sound of children’s laughter and chatter along with the close up of Ben’s eyes seems like the audience is now seeing the bus journey through his eyes which  would cause them to sympathise for him.
Whilst in the park, Ben is associated with a brightly coloured kite and ice cream- both of which could be related mainly with young children portraying the idea that Ben’s mental age is much younger than his actual age due to his disability.
At the school, straight after David gave Ben money for the bus, there was an explosion of fire in the background. This explosion could foreshadow the idea that something bad is about to happen building tension and creating the audience to almost fear for Ben. The fire also signifies the danger and panic that runs through Ben’s head when he’s told he is going to be on his own as he knows he is incapable.
Overall, the main way in which those with a disability are presented is as being incapable of doing everyday tasks on their own and sometimes do not get the help they need. This could relate to society’s lack of understanding of disability and those who are ‘different’.

Monday, 22 October 2012

Hotel Babylon Clip

Race/Class
  • Other races: audience empathises for the, as they are discriminated against
  • White people are clearly the dominant race
  • High angle: looks down upon immigrants shows authority/superior person
  • Eye level: the audience sees eye to eye with the white people
  • All of the immigrants are put into one very small room like they are insignificant
Sound
  • Non-diegetic sound builds tension
  • Music throughout the whole clio
  • Diegetic: the shouting of the workers highlights their worry
  • Knock on door then a long pause- creates tension for the audience
  • Music is much slower at the end of the clip to portray emotion: sadness because a family member has been lost
  • Music throughout reflects how you are supposed to be feeling
Mise-en-Scene
  • Where the immigration workers lockers are situated looks very dirty/scruffy as if they arent looked after.
  • Immigrants costumes contrast with those of a higher class
    High class: suits, royal blues, very smart etc.
    Immigrants: Ratty overalls
  • Owner/manager of hotel is wearing a very smart/posh suit to emphasise her role
  • Those working for the immigration patrol were wearing blazers to emphasise their higher role and higher class
  • Police uniform: well known, authority, looked up too
Camera
  • Panning shots
  • Low angle when woman is on the floor for sympathy
  • Pan up from hoover
  • Tracking Shots
  • Zoom into receptionist, we know the focus is on her
Editing
  • Sharp, short cuts from each cut
  • Constant change of angle









Sunday, 23 September 2012



The representation of age is apparent throughout this clip from ‘Monarch of the Glen’. We understand that a girl called Amy had lied about her age when in fact she is 16, she gets caught by her headmaster and then runs away.

Immediately we can tell that she is young from the way she appears to be. Her light yellow, long sleeved top has a resemblance to that of what a child would wear. Yellow connotates happiness and joy which contrasts with her character as she does not come across as being happy as she runs away and escapes situations. Also, the simplicity in the way she dresses, the way her hair is styled and by her wearing very little make up reinforces how she is younger than what she says she is.            

We then see Amy get into a car in which we can see just how uncomfortable she looks in that situation: again, reinforcing her age. The dialogue: “accelerator, clutch. Or is it clutch, accelerator?” tells the audience that Amy has not passed her driving test so she either is under age or inexperience with a car. The camera pans around from the front of the car to the window which allows us to see the huge size of the car compared to her tiny frame. It then zooms into a close up shot which shows us all of her facial expressions which are vital as they portray how she is feeling: uncomfortable and out of place.
After Amy crashes the car into her old headmaster, illustrating her young age, we see a complete opposite age group. The headmaster demonstrates a stereotypical headmaster: someone of an older generation, bearded, tweed suit, glasses etc. We see him stood behind the two collided cars which acts as a barrier and almost as a gender divide. His voice is very husky, deep and he is well spoken which gives us the impression he knows what he is talking about and is a sophisticated, well-educated man. The camera shot gradually gets closer to his face as we begin to build a relationship and understand him. The headmasters age is then reinforced later on when he is given a rather large glass of brandy.
In the other direction we see a shot of the father, mother, Amy and the boy. Their positioning illustrates a hierarchy of power, with the adult male at the front, followed by the young adult male, then the adult female and lastly Amy, the young teenager. Amy is closely clasped in the mother’s arms which is expected within of a child when they feel they are in danger. The close-ness between them conveys how she is scared and doesn’t feel she can fight her own battles, demonstrating that she is much younger than she originally said she was. It is this scene that we discover Amy is in fact only 16. Close ups are used to clearly show all of the characters’ reactions to her revealed age.
In the brief scene between Amy and the Paul, the status of each of them and age is clearly shown through the use of camera angles and shots. When we are shown Paul, it is a high angle shot so this gives him a lot of authority and almost all of the power between them. In contrast, when we see Amy it is a low angle shot which almost degrades her. This clearly portrays their age difference, as Paul is much older, he is given a much higher status within the scene and as Amy is much younger, she is presented as being nearly worthless.
 As Amy is speaking, she has a very whiney tone to her voice and is begging Paul to let her stay. This relates to that of a child- if she doesn’t get her own way, she causes a fuss. Furthermore, after not getting her own way, she shouts ‘I hate you’ in an aggressive manner and storms off upstairs. This represents a stereotypical teenager having mood swings and generally grumpy highlighting her real age.